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Festivals

The Art Association Giannozzo organized a series of festivals in the 90's under the title GIANNOZZO Live Festivals.
1996 and 1998 were organized the festivals Baitz with Sound in cooperation with the Art Association Kunstpflug, Baitz, Brandenburg, Germany.

| Home | Festival1-1990 | Festival2-1991 | Festival3-1992 | Festival4-1993 | Baitz with Sound-1996 | Baitz with Sound-1998 | End of Page |

 GIANNOZZO Live Festival 1
Roman Signer, Tower
Roman Signer, Tower, Live Festival 1, September 1990


The program of the festival orients itself at the term of presence. It is common to all invited artists that they try to operate with the presence of their person in relation to a public in a certain situation and give this presence during the duration of the performance a form. The artistic activity does not hide itself behind art articles or compositions or behind images, which are produced of media or other apparatuses. Production and presentation of pictures can collapse in a Live Art.
Rolf Langebartels


Performances and concerts of
  • Emmett Williams - Berlin/Germany
  • Eva Maria Schön - Berlin/Germany
  • Jörg Burkhard - Heidelberg/Germany
  • Boris Nieslony and Jacques van Poppel - Cologne/Germany and Amsterdam/Netherlands
  • Zbigniew Makarewicz - Breslau/Poland
  • Adam Boome - London/England
  • Toine Horvers - Tilburg/Netherlands
  • Roman Signer - St. Gallen/Switzerland
  • Monica Klingler and Anna Winteler - Basel/Switzerland
  • Tibor Szemzö - Budapest/Hungary


 
 GIANNOZZO Live Festival 2
Marie Kawazu, Once a Story
Marie Kawazu, Once a Story in Berlin, Live Festival 2, November 1991


The program of the festival orients itself at the term of presence. It is common to all invited artists that they try to operate with the presence of their person in relation to a public in a certain situation and give this presence during the duration of the performance a form. The artistic activity does not hide itself behind art articles or compositions or behind images, which are produced of media or other apparatuses. Production and presentation of pictures can collapse in a Live Art.
Rolf Langebartels


Performances and concerts of
  • Marie Kawazu - Paris/France
  • Ralf Samens - Bern/Switzerland
  • Zbigniew Warpechowski - Sandomierz/Poland
  • Phill Niblock - New York/USA
  • Johan Goedhart - Heesselt/Netherlands
  • Esther Ferrer - Paris/France
  • Max Rüdlinger - Bern/Switzerland
  • Norbert Klassen - Bern/Switzerland


 
 GIANNOZZO Live Festival 3
Brian Catling, Luna Prayer
Brian Catling, Luna Prayer, Live Festival 3, August 1992


Perhaps the Braun tube already has triumphed in relation to the event. The focused electron beam strews between seat sets of the living rooms. TV studios update comments before live transmissions on large monitors. In the infinite repeatability of the electronic media the witness of the event with his uniqueness falls quasi simultaneously into the cooled world of the DATs and RAMs.
Do only remain the wavesurfing on TV frequencies and the adventure tour in the cyberspace of the keyboard cowboys with highest baud rates? Have the event and its witness still another chance? Opposite to the thick machines of the culture business with its rapid entertainment the Art Association Giannozzo tries with its third Live Festival to make a contribution to approach these questions.
Rolf Langebartels


Performances and concerts of
  • Marek Chlanda and Marek Choloniewski - Krakov/Poland
  • Brian Catling - London/England
  • Diana Burgoyne - Vancouver/Kanada
  • Manos Tsangaris - Cologne/Germany
  • Ellen Rothenberg - Boston/USA
  • Andy Guhl and Norbert Möslang - St.Gallen/Switzerland
  • Paul Panhuysen - Eindhoven/Netherlands
  • Rolf Julius - Berlin/Germany


 
 GIANNOZZO Live Festival 4
Joa Iselin and Christoph Ranzenhofer, Performance
Joa Iselin and Christoph Ranzenhofer, performance, Live Festival 4, August 1993


If one goes to the art, the everyday life remains at home. The art is another space than that, which surrounds us daily. Does the time stand still, does it race past us?
The space of the art is an engine. Our attention compresses itself to presence and can become the drive for new experiences in such a way. Concentrated and detached by us, it steers on something new, which we cannot define yet. Gestures and characters fluctuate in here and now, only later than designations are interpreted, in interpretations described. Concise is, what occurs and remains. "We fly, we fly. Under us a new world. Our thoughts and dreams explore a landing strip. The old world never sees us again."
Susanne Lembke, Günther Rösch


Performances and concerts of
  • Janet Haufler - Bern/Switzerland
  • Joa Iselin and Christoph Ranzenhofer - Zurich/Switzerland
  • Jörg Burkhardt - Heidelberg/Germany
  • Hilka Nordhausen - Berlin/Germany


 
 Festival Baitz with Sound 1
Udo Idelberger, Windharp
Udo Idelberger, Wind Harp, Festival Baitz with Sound 1, August 1996


The village Baitz in Brandenburg, district Potsdam Mittelmark, becomes on one weekend in August the center for experimental artistic works with sound.
Baitz is situated in a sandy and hilly area with pine woods. Next door are the Belziger Meadows with their protected area for Grosstrappen, a rare bird family.
Horizon is to be seen, the pair of storks rattles in its nest over the village roads, the course from the village to the fields and the forests is not far. Larks warble above the stubble-fields.
The character of this art project is made up from both the integration of local aspects into the works of the artists and from the contrast of these works to their rural environment.
Rolf Langebartels


Installations, performances and concerts of
  • Akio Suzuki - Tango/Japan
  • Johan Goedhart - Heesselt/Netherlands
  • Udo Idelberger - Kassel/Germany
  • Krzysztof Knittel and Jan Pieniazek - Warschau/Poland
  • Rolf Langebartels - Berlin/Germany
  • Benoit Maubrey and the Audioballerinas - Berlin and Baitz/Germany
  • Martin Riches - Berlin/Germany


 
 Festival Baitz with Sound 2
Hans Peter Kuhn, Kunstnatur
Hans Peter Kuhn, Kunstnatur, Festival Baitz with Sound 2, September 1998


The village Baitz in Brandenburg, district Potsdam Mittelmark, becomes on one weekend in September the center for experimental artistic works with sound.
Baitz is situated in a sandy and hilly area with pine woods. Next door are the Belziger Meadows with their protected area for Grosstrappen, a rare bird family.
Horizon is to be seen, the pair of storks rattles in its nest over the village roads, the course from the village to the fields and the forests is not far. Larks warble above the stubble-fields.
The character of this art project is made up from both the integration of local aspects into the works of the artists and from the contrast of these works to their rural environment.
Rolf Langebartels


Installations, performances and concerts of
  • Marek Choloniewski - Krakow/Poland
  • Petra Dubach and Mario van Horrik - Eindhoven/Netherlands
  • Stephan Froleyks - Bedburg-Hau/Germany
  • Margita Haberland - Berlin/Germany
  • Hans Peter Kuhn - Berlin/Germany
  • Richard Lerman - Phoenix, Arizona,/USA
  • Zbigniew Lowzyl - Poznan/Poland
  • Paul Panhuysen - Eindhoven/Netherlands
  • Jan Pieniazek - Warsaw/Poland

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