Non-pulsed time is not only a time freed from measure, that is, a
duration, nor only a new procedure of individuation freed from the theme
and the subject, but rather it's the birth of a material free of the
form. In a certain way, European classical music could be defined by the
relation of a brute auditory material with a sonorous form that
selected, was imposed on this material. This implied a certain hierarchy
of matter life mind, which went from the simplest to the most complex
and ensured the domination of a metrical cadence as the homogenization
of durations into a certain equivalence of the parts of sonorous space.
On the contrary, in current music we are present at the birth of a
sonorous material which is no longer a simple or undifferentiated
material at all, but a carefully elaborated, very complex material; and
this material will no longer be subordinated to a sonorous form, since
it has no need of one: for its part it will be given the task
[chargé] of rendering sonorous or audible those forces
which, by themselves, are not audible, and the differences among these
forces.
A completely different coupling, elaborated sonorous
material imperceptible forces that the material will render audible or
perceptible, is substituted for the pair brute material sonorous form.
from French translated by Timothy S. Murphy
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Gilles Deleuze
Non-pulsed time
presentation given on the Conference on Musical Time, IRCAM, Paris 1978
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